Lot 492
Frame image
Raumbeispiel
492
Erich Heckel
Hagebutten in gelbem Topf, 1932.
Watercolor, gouache and India ink
Estimate:
€ 14,000 - 18,000
$ 14,980 - 19,260
Hagebutten in gelbem Topf. 1932.
Watercolor, gouache and India ink.
Lower right monogrammed and dated. Dated and titled by Hans Geissler (Erich Heckel Estate, Hemmenhofen) on the reverse. On Ingres laid paper, laid on thin, grayish cardboard. 56 x 33.3 cm (22 x 13.1 in), the full sheet. [CH].
• An artistic contemporary document: this vibrant watercolor with scorched edges is one of the few works that Heckel managed to rescue after his Berlin studio was firebombed on January 30, 1944.
• Heckel's still lifes are characterized by the inclusion of ornamental backgrounds, such as his wall paintings, other works of art or mirrors.
• In the work offered here, Heckel chose the image section in such a way that the direct connection between the rosehip plant, the two-dimensional background and the heads visible on the left creates a sophisticated interplay of lines and surfaces.
The work is registered in the Erich Heckel Estate, Hemmenhofen on Lake Constance. We are grateful to Mrs Renate Ebner for her kind support in cataloging this lot.
PROVENANCE: Erich Heckel Estate, Hemmenhofen.
Hermann Gerlinger Collection, Würzburg (with the collector's stamp, Lugt 6032, acquired from the above in 1985).
EXHIBITION: Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001).
Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017).
Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022).
LITERATURE: Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 328, SHG no. 513 (illu.).
Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 240, SHG no. 537 (illu.).
Erich Heckel in a letter to his friend Max Kaus from February 3, 1944, quoted from: Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 328.
Called up: June 8, 2024 - ca. 19.04 h +/- 20 min.
Watercolor, gouache and India ink.
Lower right monogrammed and dated. Dated and titled by Hans Geissler (Erich Heckel Estate, Hemmenhofen) on the reverse. On Ingres laid paper, laid on thin, grayish cardboard. 56 x 33.3 cm (22 x 13.1 in), the full sheet. [CH].
• An artistic contemporary document: this vibrant watercolor with scorched edges is one of the few works that Heckel managed to rescue after his Berlin studio was firebombed on January 30, 1944.
• Heckel's still lifes are characterized by the inclusion of ornamental backgrounds, such as his wall paintings, other works of art or mirrors.
• In the work offered here, Heckel chose the image section in such a way that the direct connection between the rosehip plant, the two-dimensional background and the heads visible on the left creates a sophisticated interplay of lines and surfaces.
The work is registered in the Erich Heckel Estate, Hemmenhofen on Lake Constance. We are grateful to Mrs Renate Ebner for her kind support in cataloging this lot.
PROVENANCE: Erich Heckel Estate, Hemmenhofen.
Hermann Gerlinger Collection, Würzburg (with the collector's stamp, Lugt 6032, acquired from the above in 1985).
EXHIBITION: Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Hermann Gerlinger Collection, 1995-2001).
Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Hermann Gerlinger Collection, 2001-2017).
Buchheim Museum, Bernried (permanent loan from the Hermann Gerlinger Collection, 2017-2022).
LITERATURE: Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 328, SHG no. 513 (illu.).
Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Hermann Gerlinger Collection, Halle (Saale) 2005, p. 240, SHG no. 537 (illu.).
Erich Heckel in a letter to his friend Max Kaus from February 3, 1944, quoted from: Heinz Spielmann (ed.), Die Maler der Brücke. Sammlung Hermann Gerlinger, Stuttgart 1995, p. 328.
Called up: June 8, 2024 - ca. 19.04 h +/- 20 min.
492
Erich Heckel
Hagebutten in gelbem Topf, 1932.
Watercolor, gouache and India ink
Estimate:
€ 14,000 - 18,000
$ 14,980 - 19,260
Buyer's premium, taxation and resale right compensation for Erich Heckel "Hagebutten in gelbem Topf"
This lot can be purchased subject to differential or regular taxation, artist‘s resale right compensation is due.
Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.