Lot 213
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Raumbeispiel
213
Peter Halley
Remote, 1999.
Acrylic, fluorescent, metallic and pearlescent ...
Estimate:
€ 70,000 - 90,000
$ 73,500 - 94,500
Remote. 1999.
Acrylic, fluorescent, metallic and pearlescent acrylic, and Roll-a-Tex on canvas .
Signed, dated and titled on the reverse. 189 x 183 cm (74.4 x 72 in). [AW].
• Halley became widely noticed in the early 1980s with his geometric paintings in fluorescent colors.
• In addition to form and color composition, Halley's third element is the surface - he integrates three-dimensional reliefs into his works.
• Particularly beautiful composition with fields in both well-balanced colors and a haptic appeal.
• Works by the artist can be found in renowned international collections like the Guggenheim Museum, New York, the Museum of Modern Art, New York, and the Tate Gallery, London.
PROVENANCE: Sandra Gering Gallery, New York.
Private collection, Istanbul, Türkei (acquired from the above).
Private collection, Istanbul, Türkei (acquired from the above).
Private collection North Rhine-Westphalia (acquired from the above in 2018).
"Ever since I became an artist, I've asked myself, why does painting still exist? I’ve lived through the death of painting and all arguments about paintings. My theory is that paintings are unique because they stimulate the brain both as images and as tactile experiences. A great painting is one whose texture interests you, like in Van Gogh or De Kooning. Even if you don't touch the painting, it appeals to the tactile part of the brain. That's what my paintings are based on. Texture doesn't have to be hand-made. Perhaps painting is popular because, by stimulating two pleasure centers at the same time, painting yields a unique intense pleasure."
Peter Halley in an interview with Alexandre Stipanovich, Kathy Grayson and Jeremy Liebman for Opening Ceremony New News, April 15, 2013.
Called up: December 8, 2023 - ca. 15.30 h +/- 20 min.
Acrylic, fluorescent, metallic and pearlescent acrylic, and Roll-a-Tex on canvas .
Signed, dated and titled on the reverse. 189 x 183 cm (74.4 x 72 in). [AW].
• Halley became widely noticed in the early 1980s with his geometric paintings in fluorescent colors.
• In addition to form and color composition, Halley's third element is the surface - he integrates three-dimensional reliefs into his works.
• Particularly beautiful composition with fields in both well-balanced colors and a haptic appeal.
• Works by the artist can be found in renowned international collections like the Guggenheim Museum, New York, the Museum of Modern Art, New York, and the Tate Gallery, London.
PROVENANCE: Sandra Gering Gallery, New York.
Private collection, Istanbul, Türkei (acquired from the above).
Private collection, Istanbul, Türkei (acquired from the above).
Private collection North Rhine-Westphalia (acquired from the above in 2018).
"Ever since I became an artist, I've asked myself, why does painting still exist? I’ve lived through the death of painting and all arguments about paintings. My theory is that paintings are unique because they stimulate the brain both as images and as tactile experiences. A great painting is one whose texture interests you, like in Van Gogh or De Kooning. Even if you don't touch the painting, it appeals to the tactile part of the brain. That's what my paintings are based on. Texture doesn't have to be hand-made. Perhaps painting is popular because, by stimulating two pleasure centers at the same time, painting yields a unique intense pleasure."
Peter Halley in an interview with Alexandre Stipanovich, Kathy Grayson and Jeremy Liebman for Opening Ceremony New News, April 15, 2013.
Called up: December 8, 2023 - ca. 15.30 h +/- 20 min.
213
Peter Halley
Remote, 1999.
Acrylic, fluorescent, metallic and pearlescent ...
Estimate:
€ 70,000 - 90,000
$ 73,500 - 94,500
Buyer's premium, taxation and resale right compensation for Peter Halley "Remote"
This lot can be purchased subject to differential or regular taxation, artist‘s resale right compensation is due.
Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.