Sale: 538 / 19th Century Art, June 10. 2023 in Munich Lot 643


643
Franz von Stuck
Franz und Mary Stuck – Künstlerfest, 1898.
Oil on paper, laminated on panel
Estimate:
€ 30,000 / $ 33,000
Sold:
€ 139,700 / $ 153,670

(incl. surcharge)
Franz und Mary Stuck – Künstlerfest. 1898.
Oil on paper, laminated on panel.
Voss 174. Signed, inscribed and dated "Künstlerfest 1898" in lower right on the locket. With various numbers on the reverse. 27.8 x 25 cm (10.9 x 9.8 in).

• Emblematic rare double portrait of the famous Munich painter prince and his wife Mary.
• Created on the occasion of the legendary artists' festival "In Arkadien" in 1898 with the couple as ancient gods.
• A subsequent portrait of the motif from 1900 is in the collection of the Städtische Galerie im Lenbachhaus, Munich.
• An eventful provenance history
.

We are grateful to Anna B. Rubin, HCPO New York, for the kind support in identifying the heirs.

PROVENANCE: Galerie Oscar Hermes, Munich (1898/99).
Collection councilor Fritz Eckel, Deidesheim (until December 19, 1916: Hugo Helbing).
Kunstsalon Gustav Seidenader, Munich (acquired from the above).
Paul Metz Collection (1869-1942), Frankfurt am Main (until 1939).
Kunsthaus Wilhelm Ettle, Frankfurt am Main (acquired from the above in 1939).
Sammlung Willy Schenk (1897-1958), Maulbronn (acquired from the above in 1939).
Monuments, Fine Arts, and Archives (MFAA), Stuttgart (acquired from the above in 1949).
Collecting Point, Wiesbaden (acquired from the above in 1949, in safekeeping until 1952, no. Wie 6263).
Willy Schenk Collection (1897-1958), Maulbronn (retreived from the above in 1952).
Private collection Baden-Württemberg (inherited from the above).
Private collection Baden-Württemberg (acquired from the above).
Amicable agreement with the heirs after Paul Metz (2023).
The work is free from restitution claims. The offer is made subject to an amicable agreement with the heirs after Paul Metz on basis of a fair and just solution.

EXHIBITION: Internationale Kunstausstellung, Dresden 1901, no. 691.

LITERATURE: Die Kunst für Alle, issue 14, 1898/99, p. 239.
Albert Kuhn, Allgemeine Kunstgeschichte. Malerei II, New York et al. 1909, p. 1404.
Hugo Helbing, Munich, Ölgemälde moderner Meister: Collection Councilor Fritz Eckel † in Deidesheim, auction on December 19, 1916, no. 121 (with illu. on plate 6).
Fotografische Bildnisstudien zu Gemälden von Lenbach und Stuck, ed. by Josef A. Schmoll, ex. cat. Museum Folkwang Essen 1969, no. 230: Fotografische Bildnisstudie aus dem Nachlass.
Franz von Stuck und die Photographie, ed. by Josef A. Schmoll et al, ex. cat. Museum Villa Stuck, Munich 1996, p. 47, 142, zur Fotografischen Bildnisstudie aus dem Nachlass.

ARCHIVE MATERIAL:
Records Concerning the Central Collecting Points: Wiesbaden Central Collecting Point, 1945-1952, NARA, Washington, M1947, Record Group 260: Roll 0004, pp. 6, 23, 30, 51, 53; Roll 0036, pp. 47-48; Roll 0074, pp. 23, 39, 108; Roll 0077, pp. 4, 18, 19, 31, 33, 37, 58, 95; Roll 0107, pp. 1-2.
Reparation file Paul Metz and Paul Clemens Metz, Hessian Main State Archive, Wiesbaden, inventory 518, no. 41621, fol. 54, 99, 101.
Annotated copy of the catalog of the auction at Hugo Helbing, December 19, 1916, Zentralinstitut für Kunstgeschichte, Munich (https://doi.org/10.11588/diglit.56127).
copy of the catalog of the auction at Hugo Helbing, December 19, 1916, Kunsthaus Zürich, library (https://doi.org/10.11588/diglit.48747).

The double portrait of Franz von Stuck and Mary Lindpainter, to whom he had been married since 1897, was created on the occasion of one of the great festivals of the Munich artist community at the turn of the century. In the medallion based on Roman portraits, with an inscription-like painted plaque in the lower edge, the beautiful couple is shown, Stuck with the green laurel wreath, Mary with the golden circlet of a goddess. Stuck, who liked to see himself as a wild faun, gives himself a darker skin tone, while Mary shines brightly in the foreground. The motto of the festival, organized by the Munich artists' community Allotria and the Munich Secession was "In Arcadia" and took place in the impressive Royal Court Theater. Last but not least, the event had the charitable purpose of raising funds to build a new artists' house. The reveling bohemians gathered in the antique backdrop of a Parthenon, dressed as mythological figures, gods, fauns, bacchantes, gladiators and pharaohs. Stuck and Mary showed up as a Roman patrician or Greek god couple. The motto was to be understood as an allusion to the Arcadia of art, music and literature, which - albeit with reference to Greece and antiquity - exists as an idea of a place and a time in which contentment and happiness reign. At the same time, it refers to the Renaissance era as the rebirth of antiquity and as the high point of European artistic creativity, not only from Stuck's point of view. As a representative of a renewed Renaissance and the art boom around the turn of the century, Stuck shows himself in the present work as a painter prince crowned with a laurel.

The work of art looks back on a provenance history that is as important as it is moving. Until his death, it was in the collection of Fritz Eckel, councilor of commerce and owner of a large winery. Later, most likely before 1931, the work entered the collection of the well-known Frankfurt manufacturer Paul Metz. Metz, owner of an Offenbach screw factory, was a big name in Frankfurt social life, lived in a luxurious villa in Frankfurt and had another one on Lake Starnberg. However, the 1930s brought about change. After 1933, Paul Metz, who was baptized as a Lutheran and classified as Jewish according to the Nazi’s racial doctrine, was unable to recover from the consequences of the global economic crisis. However, he did not part with the painting by Franz Stuck for a long time. It was not until 1939 that he sold the picture together with another work for a total of 600 RM to the art dealer Wilhelm Ettle. In 1942, Paul Metz was deported to Theresienstadt before he was murdered in Treblinka.
Stuck's painting was then owned by Willy Schenk, a Maulbronn entrepreneur, to whom Ettle sold it immediately after he had taken it over from Paul Metz. As it was under suspicion of being Nazi-looted after the war, it remained in the Collecting Point in Wiesbaden until 1952. However, the painting was then returned to Willy Schenk, although Clemens Metz, Paul Metz's only son, had reported the painting “Selbstgemälde der Eheleute Stuck auf einem Künstlerfest " as a loss after the war. After Willy Schenk's death in 1958, the painting remained in his family.
Today, Franz von Stuck's impressive "Künstlerfest” (Artist's Festival) can be offered without pending restitution claims and in an amicable agreement with the heirs after Paul Metz. [KT/AT]



643
Franz von Stuck
Franz und Mary Stuck – Künstlerfest, 1898.
Oil on paper, laminated on panel
Estimate:
€ 30,000 / $ 33,000
Sold:
€ 139,700 / $ 153,670

(incl. surcharge)