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Raumbeispiel
332
Brice Marden
After Botticelli 1-5, 1992/93.
5 sheets Etching and aquatint
Estimate:
€ 30,000 / $ 34,500 Sold:
€ 36,120 / $ 41,538 (incl. surcharge)
332
Brice Marden
After Botticelli 1-5, 1992/93.
5 sheets Etching and aquatint
Estimate:
€ 30,000 / $ 34,500 Sold:
€ 36,120 / $ 41,538 (incl. surcharge)
Brice Marden
1938 - 2023
After Botticelli 1-5. 1992/93.
5 sheets Etching and aquatint.
Each signed, dated, and numbered. From an edition of 45 copies. On sturdy, handmade Twinrocker vellum (each with watermark). 22.6 x 30.2 cm (8.8 x 11.8 in). Sheet: up to 68,8 x 54,5 cm (27 x 21,4 in).
Complete. Printed by Branstead Studio, New York. [AW].
• In "After Botticelli," muses, maenads, and Venus figures merge to form dynamic, energetic compositions far removed from any representationalism.
• After a trip through Asia in 1983, Marden found his open, calligraphic, linear visual language.
• Other copies from this edition are located at the Princeton University Art Museum, New Jersey, the Cleveland Museum of Art, Ohio, and the High Museum of Art, Georgia.
• Brice Marden's first retrospective took place in 1975 at the Solomon R. Guggenheim Museum, New York—another was shown in 2006, first at the Museum of Modern Art, New York, and then at the San Francisco Museum of Modern Art and the Hamburger Bahnhof, Berlin.
PROVENANCE: Private collection, Berlin.
1938 - 2023
After Botticelli 1-5. 1992/93.
5 sheets Etching and aquatint.
Each signed, dated, and numbered. From an edition of 45 copies. On sturdy, handmade Twinrocker vellum (each with watermark). 22.6 x 30.2 cm (8.8 x 11.8 in). Sheet: up to 68,8 x 54,5 cm (27 x 21,4 in).
Complete. Printed by Branstead Studio, New York. [AW].
• In "After Botticelli," muses, maenads, and Venus figures merge to form dynamic, energetic compositions far removed from any representationalism.
• After a trip through Asia in 1983, Marden found his open, calligraphic, linear visual language.
• Other copies from this edition are located at the Princeton University Art Museum, New Jersey, the Cleveland Museum of Art, Ohio, and the High Museum of Art, Georgia.
• Brice Marden's first retrospective took place in 1975 at the Solomon R. Guggenheim Museum, New York—another was shown in 2006, first at the Museum of Modern Art, New York, and then at the San Francisco Museum of Modern Art and the Hamburger Bahnhof, Berlin.
PROVENANCE: Private collection, Berlin.
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