Sale: 22 / Online Sale, Sept. 15. 2023 → Lot 122001250
Frame image
Raumbeispiel
122001250
Otto Dix
Liegender Akt mit erhobenen Beinen, 1925.
Pencil drawing
Estimate:
€ 7,000 / $ 8,050 Sold:
€ 6,985 / $ 8,032 (incl. surcharge)
122001250
Otto Dix
Liegender Akt mit erhobenen Beinen, 1925.
Pencil drawing
Estimate:
€ 7,000 / $ 8,050 Sold:
€ 6,985 / $ 8,032 (incl. surcharge)
Liegender Akt mit erhobenen Beinen. 1925.
Pencil drawing.
Lorenz NSk 4.3.3. Lower right signed and belatedly dated. On off-white wove paper. 48 x 46.3 cm (18.8 x 18.2 in), the full sheet.
[KT].
• Dix is an important representative of Expressionism and New Objectivity
• In this sheet, Dix redefines the nude study through the unusual expressionistic pose and an unsparing realism.
• In 1925 Dix moved to Berlin and participated in the eponymous travelling exhibition "Neue Sachlichkeit" (New Objectivity)
• Dix had his artistic breakthrough in the mid 1920s.
PROVENANCE: Artist's studio (until at least 1963).
Galerie Günther Franke, Munich (1971/73).
Private collection Vogel.
Private collection Southern Germany.
Private collection Bavarria.
EXHIBITION: Otto Dix. Handzeichnungen 1912-1962, Deutsche Akademie der Künste, Berlin, Sept./Oct. 1963 (no number).
LITERATURE: Brigid S. Barton, Otto Dix and Die neue Sachlichkeit 1918-1925 (diss.), Ann Arbor 1981, no. VIII.C.22.
Otto Conzelmann, Otto Dix. Weiber, Frankfurt a. Main 1976 (illu. 79).
Ketterer Kunst, Munich, auction May 6, 2000, lot 28 (with illu.).
To view artwork condition please click on the high-definition images and use the zoom function.
Pencil drawing.
Lorenz NSk 4.3.3. Lower right signed and belatedly dated. On off-white wove paper. 48 x 46.3 cm (18.8 x 18.2 in), the full sheet.
[KT].
• Dix is an important representative of Expressionism and New Objectivity
• In this sheet, Dix redefines the nude study through the unusual expressionistic pose and an unsparing realism.
• In 1925 Dix moved to Berlin and participated in the eponymous travelling exhibition "Neue Sachlichkeit" (New Objectivity)
• Dix had his artistic breakthrough in the mid 1920s.
PROVENANCE: Artist's studio (until at least 1963).
Galerie Günther Franke, Munich (1971/73).
Private collection Vogel.
Private collection Southern Germany.
Private collection Bavarria.
EXHIBITION: Otto Dix. Handzeichnungen 1912-1962, Deutsche Akademie der Künste, Berlin, Sept./Oct. 1963 (no number).
LITERATURE: Brigid S. Barton, Otto Dix and Die neue Sachlichkeit 1918-1925 (diss.), Ann Arbor 1981, no. VIII.C.22.
Otto Conzelmann, Otto Dix. Weiber, Frankfurt a. Main 1976 (illu. 79).
Ketterer Kunst, Munich, auction May 6, 2000, lot 28 (with illu.).
To view artwork condition please click on the high-definition images and use the zoom function.
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