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Raumbeispiel
308
Andy Goldsworthy
Snow and Earth, 1993.
Mixed media
Estimate:
€ 6,000 / $ 6,900 Sold:
€ 9,375 / $ 10,781 (incl. surcharge)
308
Andy Goldsworthy
Snow and Earth, 1993.
Mixed media
Estimate:
€ 6,000 / $ 6,900 Sold:
€ 9,375 / $ 10,781 (incl. surcharge)
Snow and Earth. 1993.
Mixed media . Water and soil.
Upper left signed, dated, titled and inscribed "Japan, Scotland", lettering upside down. Inscribed "A Meeting of Mountains Ben Nevis m+ Fuji" in lower left. On wove paper. 114 x 260 cm (44.8 x 102.3 in) , size of sheet.
After "Rivers And Tides" (2001), "Leaning Into The Wind", the second documentary film about the nature artist Andy Goldsworthy and his works, was released in December 2017, it is directed by Thomas Riedelsheimer. [CH].
PROVENANCE: Private collection Rhineland.
"We have to accept that we are part of the landscape and we affect the landscape through what we eat, what we wear, what we build. So we are connected. The danger is that we think we are not. We are bound up with the land; we are part of it. Now that's not a message I'm trying to preach. It's just something I understand through my work."
Andy Goldsworthy, 2015 (quote from Herald Scotland Online)
Mixed media . Water and soil.
Upper left signed, dated, titled and inscribed "Japan, Scotland", lettering upside down. Inscribed "A Meeting of Mountains Ben Nevis m+ Fuji" in lower left. On wove paper. 114 x 260 cm (44.8 x 102.3 in) , size of sheet.
After "Rivers And Tides" (2001), "Leaning Into The Wind", the second documentary film about the nature artist Andy Goldsworthy and his works, was released in December 2017, it is directed by Thomas Riedelsheimer. [CH].
PROVENANCE: Private collection Rhineland.
"We have to accept that we are part of the landscape and we affect the landscape through what we eat, what we wear, what we build. So we are connected. The danger is that we think we are not. We are bound up with the land; we are part of it. Now that's not a message I'm trying to preach. It's just something I understand through my work."
Andy Goldsworthy, 2015 (quote from Herald Scotland Online)
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