Sale: 409 / Modern Art and Sidelines of the German Avantgarde, Dec. 06. 2013 in Munich Lot 317

 
317
Ernst Barlach
Der Rächer, 1914.
Bronze
Estimate:
€ 60,000 / $ 66,000
Sold:
€ 58,560 / $ 64.416

(incl. 22% surcharge)
Lot description
Der Rächer. 1914.
Bronze with dark browen patina.
Laur 229. Schult 167. With name on plinth as well as with foundry mark "H. Noack Berlin" on verso. From an edition of 30 casts. Ca. 43,5 x 58,3 x 21 cm (17,1 x 22,9 x 8,2 in).
Excellent cast with even patina. Made by the art foundry Noack, Berlin, presumably in the 1960/1970s.
Further copies are in possession of the following museums:
Busch-Reisinger Museum, Harvard University Art Museums, Cambridge/Mass.
Kunsthaus, Zurich.
Folkwang Museum, Essen.
Ernst Barlach Haus, Hamburg.
Israel Museum, Jerusalem.
Museum Ludwig, Cologne.

We are grateful to the Ernst Barlach licence administration, Ratzeburg, for their kind expert advice.

PROVENANCE: Private collection Northern Germany.

LITERATURE: (each presumably different copy)
Bronzen von Ernst Barlach, Galerie Flechtheim, Berlin 1930, cat. no. 10.
Ernst Barlach, ex. cat. Kunsthalle Bremen, Bremen 1959, cat. no. 498.
Ernst Barlach. Denkzeichen, ex. cat. Schleswig-Holsteinisches Landesmuseum, Schloß Gottorf, Schleswig 1989, no. 17.
Heinz Spielmann, Stiftung und Sammlung Rolf Horn, Schleswig 1995, no. 115.
Anita Beloubek-Hammer, Ernst Barlach. Plastische Meisterwerke, Leipzig 1996, pp. 14, 66f.
Elisabeth Laur, Der Bildhauer als Buchkünstler, in: Ernst Barlach. Kaviar statt Brot. Kurt Reutti. Sammler und Stifter, ex. cat. Kunsthalle Bremen, Bremen 2001, pp. 29f.
Ernst Barlach, Mystiker der Moderne, ex. cat. Ernst Barlach Gesellschaft, Hamburg 2003, p. 240.
Ernst Barlach Retrospective, The National Museum of Modern Art Kyoto; The University Art Museum, Tokyo National University of Fine Arts and Music, Yamanashi Prefectural Museum of Art, Kofu, Kyoto 2006, no. 85.

The Northern German sculptor and graphic artist Ernst Barlach began his professional education in Hamburg, where he joined the Gewerbeschule in 1888. He continued in 1891 at the Dresden Akademie where he continued his studies of sculpture and became Robert Diez' master pupil. Barlach's thorough academic training was supplemented by two sojourns in Paris in 1895 and 1897. His work was further influenced significantly by a trip to Russia in 1909. The powerful and folk-like style of his sculptures reflect the artists impressions of sturdy rugged farm life and Russian folk art. Barlach also produced graphic illustration cycles for his own plays during this period. The artist settled in Güstrow (Mecklenburg) in 1910.

Barlach had his first exhibition at Paul Cassirer's gallery in Berlin in 1917 and was accepted as a full member of the Preußische Akademie der Künste in Berlin in 1919. In the following years Barlach made numerous woodcuts, for example the illustrations for Goethe's "Walpurgisnacht". His autobiography "Ein selbsterzähltes Leben" was published in 1928. The Preußische Akademie der Künste organised a comprehensive exhibition of his sculptures and graphic works in 1930. The artist was awarded the order Pour la Mérite in 1933. Even though Barlach was still able to complete the "Fries der Lauschenden" for Hermann F. Reemtsma and designed a grave monument for Theodor Däubler in 1935.

He was soon defamed by the National Socialists. His works were banned from all museums, churches and public spaces in 1936. Today Ernst Barlach is considered one of the most important sculptors of modern times. Outstanding examples of his Expressionist figures in wood and bronze can be seen in the cathedral in Güstrow, the church of St. Elisabeth Marburg and in the National Gallery in Berlin. [KD].

317
Ernst Barlach
Der Rächer, 1914.
Bronze
Estimate:
€ 60,000 / $ 66,000
Sold:
€ 58,560 / $ 64.416

(incl. 22% surcharge)