Sale: 605 / Day Sale, June 13. 2026 in Munich → Lot 123000192
123000192
Peter Brüning
Ohne Titel, Um 1958/59.
Oil on canvas
Estimate:
€ 40,000 - 60,000
$ 46,000 - 69,000
Information on buyer's premium, taxation and resale right compensation will be available four weeks before the auction.
123000192
Peter Brüning
Ohne Titel, Um 1958/59.
Oil on canvas
Estimate:
€ 40,000 - 60,000
$ 46,000 - 69,000
Information on buyer's premium, taxation and resale right compensation will be available four weeks before the auction.
Peter Brüning
1929 - 1970
Ohne Titel. Um 1958/59.
Oil on canvas.
The reverse side of the canvas is inscribed with the catalogue raisonné details and a directional arrow. 96 x 128 cm (37.7 x 50.3 in). [KA].
• Energy, vitality, and force: the unmistakable hallmarks of Brüning’s painting.
• Brüning was one of the leading figures of German Informel.
• In 1959, 1964, and 1968, he participated in documenta II, III, and 4 in Kassel.
• In the same family collection for 35 years.
• Works by Peter Brüning are included in, among others, the Sammlung Ludwig in Aachen, the Osthaus Museum in Hagen, and the Staatsgalerie Stuttgart.
We are grateful to Dr. Marie-Luise Otten, for her kind expert advice.
PROVENANCE: Private collection, North Rhine-Westphalia (acqwuired in 1990, Galerie Heimeshoff, Essen).
Ever since in family ownership.
LITERATURE: Marie-Luise Otten, Peter Brüning - Studien zu Entwicklung und Werk. Catalogue raisonné, Cologne 1988, CR no. 257 (illustrated in b/w on p. 356).
1929 - 1970
Ohne Titel. Um 1958/59.
Oil on canvas.
The reverse side of the canvas is inscribed with the catalogue raisonné details and a directional arrow. 96 x 128 cm (37.7 x 50.3 in). [KA].
• Energy, vitality, and force: the unmistakable hallmarks of Brüning’s painting.
• Brüning was one of the leading figures of German Informel.
• In 1959, 1964, and 1968, he participated in documenta II, III, and 4 in Kassel.
• In the same family collection for 35 years.
• Works by Peter Brüning are included in, among others, the Sammlung Ludwig in Aachen, the Osthaus Museum in Hagen, and the Staatsgalerie Stuttgart.
We are grateful to Dr. Marie-Luise Otten, for her kind expert advice.
PROVENANCE: Private collection, North Rhine-Westphalia (acqwuired in 1990, Galerie Heimeshoff, Essen).
Ever since in family ownership.
LITERATURE: Marie-Luise Otten, Peter Brüning - Studien zu Entwicklung und Werk. Catalogue raisonné, Cologne 1988, CR no. 257 (illustrated in b/w on p. 356).
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