Raumbeispiel
251
Emil Nolde
Herbstlandschaft (Überschwemmung), 1926.
Lithograph in colors
Estimate:
€ 40,000 / $ 46,000 Sold:
€ 64,500 / $ 74,175 (incl. surcharge)
251
Emil Nolde
Herbstlandschaft (Überschwemmung), 1926.
Lithograph in colors
Estimate:
€ 40,000 / $ 46,000 Sold:
€ 64,500 / $ 74,175 (incl. surcharge)
Emil Nolde
1867 - 1956
Herbstlandschaft (Überschwemmung). 1926.
Lithograph in colors.
Signed. Inscribed “In dieser Faßung ein Druck” and titled “Herbstlandschaft, Überschwemmung” by Ada Nolde. One-of-a-kind in this color scheme. 59 x 79 cm (23.2 x 31.1 in). Sheet: 65,5 x 85 cm (25,7 x 33,4 in).
The stone is dyed black. The clouds in the upper area are in an intense pink, which is reflected in the light gray water surface. A delicate pink-orange color is also visible in the light gray stone. The brushstrokes used to apply the paint lend the image a beautiful, invigorating effect—a special example of how the artist explored different color variations.
Printed by Westphalen, Flensburg.
• Unique copy in this color scheme.
• The last time a copy of this motif was offered on the international auction market was in 1986.
• Magnificent proof of Emil Nolde's love of experimentation in lithography.
PROVENANCE: Galerie Nierendorf, Berlin (1978, with handwritten purchase number on the reverse).
Private collection, Berlin (since 986: Hauswedell).
LITERATURE: Gustav Schiefler, Christel Mosel, Martin Urban, Emil Nolde - Das graphische Werk, vol. II: Holzschnitte, Lithographien, Hektographien, Cologne 1996, CR L 65.
-
Hauswedell & Nolte, Berlin, 263rd auction, Modern Art, June 9–10, 1986, lot 971 (color illustration, plate 37).
1867 - 1956
Herbstlandschaft (Überschwemmung). 1926.
Lithograph in colors.
Signed. Inscribed “In dieser Faßung ein Druck” and titled “Herbstlandschaft, Überschwemmung” by Ada Nolde. One-of-a-kind in this color scheme. 59 x 79 cm (23.2 x 31.1 in). Sheet: 65,5 x 85 cm (25,7 x 33,4 in).
The stone is dyed black. The clouds in the upper area are in an intense pink, which is reflected in the light gray water surface. A delicate pink-orange color is also visible in the light gray stone. The brushstrokes used to apply the paint lend the image a beautiful, invigorating effect—a special example of how the artist explored different color variations.
Printed by Westphalen, Flensburg.
• Unique copy in this color scheme.
• The last time a copy of this motif was offered on the international auction market was in 1986.
• Magnificent proof of Emil Nolde's love of experimentation in lithography.
PROVENANCE: Galerie Nierendorf, Berlin (1978, with handwritten purchase number on the reverse).
Private collection, Berlin (since 986: Hauswedell).
LITERATURE: Gustav Schiefler, Christel Mosel, Martin Urban, Emil Nolde - Das graphische Werk, vol. II: Holzschnitte, Lithographien, Hektographien, Cologne 1996, CR L 65.
-
Hauswedell & Nolte, Berlin, 263rd auction, Modern Art, June 9–10, 1986, lot 971 (color illustration, plate 37).
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