Frame image
324
Gotthard Graubner
Ohne Titel, 1973.
Diluted Oil paint on cellulose, originally sewn...
Estimate:
€ 15,000 / $ 17,400 Sold:
€ 19,350 / $ 22,446 (incl. surcharge)
324
Gotthard Graubner
Ohne Titel, 1973.
Diluted Oil paint on cellulose, originally sewn...
Estimate:
€ 15,000 / $ 17,400 Sold:
€ 19,350 / $ 22,446 (incl. surcharge)
Gotthard Graubner
1930 - 2013
Ohne Titel. 1973.
Diluted Oil paint on cellulose, originally sewn onto backing cardboard in the upper corners.
Signed, dated, and inscribed “For R. G. Dienst” in the lower center. 174 x 125.5 cm (68.5 x 49.4 in), size of sheet. [JS].
• Rare, early work on paper in a monumental format.
• Graubner materializes and dissolves the boundaries of color by saturating the absorbent image carrier with highly diluted paint.
• Gently ethereal palette, which, as in Graubner's early nylon-covered cushion works, appears veiled by the opaque materiality of the image carrier.
• Formerly part of the collection of the artist and art critic Rolf-Gunter Dienst.
PROVENANCE: Formerly in the Rolf-Gunter Dienst Collection, Berlin.
Corporate Collection, North Rhine-Westphalia (until 2019).
Gotthard Graubner, in: Kritisches Lexikon der Gegenwartskunst, volume 16, Munich 1991, p. 15.
1930 - 2013
Ohne Titel. 1973.
Diluted Oil paint on cellulose, originally sewn onto backing cardboard in the upper corners.
Signed, dated, and inscribed “For R. G. Dienst” in the lower center. 174 x 125.5 cm (68.5 x 49.4 in), size of sheet. [JS].
• Rare, early work on paper in a monumental format.
• Graubner materializes and dissolves the boundaries of color by saturating the absorbent image carrier with highly diluted paint.
• Gently ethereal palette, which, as in Graubner's early nylon-covered cushion works, appears veiled by the opaque materiality of the image carrier.
• Formerly part of the collection of the artist and art critic Rolf-Gunter Dienst.
PROVENANCE: Formerly in the Rolf-Gunter Dienst Collection, Berlin.
Corporate Collection, North Rhine-Westphalia (until 2019).
Gotthard Graubner, in: Kritisches Lexikon der Gegenwartskunst, volume 16, Munich 1991, p. 15.
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