Frame image
Raumbeispiel
10
Thierry Noir
"im März erträgt man noch gern seinen Slip, im April macht was man will", 1986.
Oil on canvas
Estimate:
€ 10,000 / $ 11,500 Sold:
€ 14,605 / $ 16,795 (incl. surcharge)
10
Thierry Noir
"im März erträgt man noch gern seinen Slip, im April macht was man will", 1986.
Oil on canvas
Estimate:
€ 10,000 / $ 11,500 Sold:
€ 14,605 / $ 16,795 (incl. surcharge)
"im März erträgt man noch gern seinen Slip, im April macht was man will". 1986.
Oil on canvas.
Signed in the lower right. Signed, dated and titled on the reverse of the canvas. 160 x 280 cm (62.9 x 110.2 in). [AW].
• Rare large format from the 1980s – at the time of its creation, Thierry Noir squatted a tiny studio right next to the Berlin Wall.
• Colorful work in the iconic style of the pioneer of the early street art movement.
• In 1984, Noir began painting the Berlin Wall as a spontaneous act of protest and artistic expression.
• Parts of the wall he painted can be found in London, New York, Monaco and Los Angeles.
The work is registered in the Thierry Noir studio. We are grateful for the kind support in cataloging this lot.
PROVENANCE: Private collection, Hesse.
In good condition, colors in fine impression. With isolated spots of slight craquelure and slight rubbings, as well as isolated traces from the production. A small retouched spot in the right center of the image. The condition report was compiled in daylight and with the help of a UV light source to the best of our knowledge and belief.
Oil on canvas.
Signed in the lower right. Signed, dated and titled on the reverse of the canvas. 160 x 280 cm (62.9 x 110.2 in). [AW].
• Rare large format from the 1980s – at the time of its creation, Thierry Noir squatted a tiny studio right next to the Berlin Wall.
• Colorful work in the iconic style of the pioneer of the early street art movement.
• In 1984, Noir began painting the Berlin Wall as a spontaneous act of protest and artistic expression.
• Parts of the wall he painted can be found in London, New York, Monaco and Los Angeles.
The work is registered in the Thierry Noir studio. We are grateful for the kind support in cataloging this lot.
PROVENANCE: Private collection, Hesse.
In good condition, colors in fine impression. With isolated spots of slight craquelure and slight rubbings, as well as isolated traces from the production. A small retouched spot in the right center of the image. The condition report was compiled in daylight and with the help of a UV light source to the best of our knowledge and belief.
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