Lot 255
Video
255
Alexander Archipenko
Weiblicher Akt (La Negresse), 1910/11.
Bronze with green-black patina
Estimate:
€ 70,000 - 90,000
$ 77,000 - 99,000
Weiblicher Akt (La Negresse). 1910/11.
Bronze with green-black patina.
With the number "1/2" and the foundry mark "E PETTERSSON FUD" on the reverse of the plinth. Height: 50 cm (19.6 in).
Cast by Konstgjuteri Gunnar Petterson, Hägersten Sweden (with the foundry mark on the reverse of the plinth).
• One of only two bronze casts
• The catalogue raisonné lists the two bronze casts as lifetime casts.
• The sculpture on which the present work is based featured in major exhibitions between 1912 and 1922.
PROVENANCE: Private collection, Germany.
Private collection (since 1992, Christies London).
LITERATURE: Alexander Achipenko online catalogue raisonné: archipenkocr.org s.10-07 Work No. 3226
-.-
Christie's, Impressionist and Modern Paintings, Watercolors and Sculpture, London, June 30, 1992, lot 150 .
Called up: December 7, 2024 - ca. 15.33 h +/- 20 min.
Bronze with green-black patina.
With the number "1/2" and the foundry mark "E PETTERSSON FUD" on the reverse of the plinth. Height: 50 cm (19.6 in).
Cast by Konstgjuteri Gunnar Petterson, Hägersten Sweden (with the foundry mark on the reverse of the plinth).
• One of only two bronze casts
• The catalogue raisonné lists the two bronze casts as lifetime casts.
• The sculpture on which the present work is based featured in major exhibitions between 1912 and 1922.
PROVENANCE: Private collection, Germany.
Private collection (since 1992, Christies London).
LITERATURE: Alexander Achipenko online catalogue raisonné: archipenkocr.org s.10-07 Work No. 3226
-.-
Christie's, Impressionist and Modern Paintings, Watercolors and Sculpture, London, June 30, 1992, lot 150 .
Called up: December 7, 2024 - ca. 15.33 h +/- 20 min.
Alexander Archipenko's sculpture “La Negresse” was exhibited for the first time in 1912. It was a stone cast that is in private Swedish ownership today. With the artist's permission, the owner had two bronzes versions of this stone cast by the Pettersson foundry in Hägersten, Sweden. The present work is one of these two bronzes.
Cast in stone, this sculpture was shown at important exhibitions between 1912 and 1922. The following is a selection of those exhibitions:
1912 - Quai d'Orsay, Paris, Salon des Indépendants, Artistes Indépendant, 28e Exposition
1913 - Armory of the Sixty-Ninth Regiment, New York, Armory Show, International Exhibition of Modern Art, Association of American Painters and Sculptors, cat. no. 601
1913 - Art Institute of Chicago, Chicago, Armory Show, International Exhibition of Modern Art, Association of American Painters and Sculptors
1920 - XII. Esposizione Biennale Internationale d'Arte, Venice, Russian Pavilion.
1921 - Der Sturm, Berlin, Der Sturm, Fünfundneunzigste Ausstellung, Alexander Archipenko, cat. no. 5 (here: “Negerin / 1911 / Zement” )
1922 - Galerie Fritz Gurlitt, Berlin, Alexander Archipenko: Zehnte Retrospektive Ausstellung, cat. no. 35.
In its closed form, the bronze offered here is a fine example of Alexander Archipenko's design concept in the early 1910s. [EH]
Cast in stone, this sculpture was shown at important exhibitions between 1912 and 1922. The following is a selection of those exhibitions:
1912 - Quai d'Orsay, Paris, Salon des Indépendants, Artistes Indépendant, 28e Exposition
1913 - Armory of the Sixty-Ninth Regiment, New York, Armory Show, International Exhibition of Modern Art, Association of American Painters and Sculptors, cat. no. 601
1913 - Art Institute of Chicago, Chicago, Armory Show, International Exhibition of Modern Art, Association of American Painters and Sculptors
1920 - XII. Esposizione Biennale Internationale d'Arte, Venice, Russian Pavilion.
1921 - Der Sturm, Berlin, Der Sturm, Fünfundneunzigste Ausstellung, Alexander Archipenko, cat. no. 5 (here: “Negerin / 1911 / Zement” )
1922 - Galerie Fritz Gurlitt, Berlin, Alexander Archipenko: Zehnte Retrospektive Ausstellung, cat. no. 35.
In its closed form, the bronze offered here is a fine example of Alexander Archipenko's design concept in the early 1910s. [EH]
255
Alexander Archipenko
Weiblicher Akt (La Negresse), 1910/11.
Bronze with green-black patina
Estimate:
€ 70,000 - 90,000
$ 77,000 - 99,000
Buyer's premium, taxation and resale right compensation for Alexander Archipenko "Weiblicher Akt (La Negresse)"
This lot can be purchased subject to differential or regular taxation, artist‘s resale right compensation is due.
Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.
Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.
Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.
We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.
Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.
The artist‘s resale right compensation is VAT-exempt.