Victor Vasarely's aesthetic approach is based on, among others, the traditions of Constructivism and geometric abstraction. However, in his innovative work, he lends completely new, multi-faceted dimensions to the basic principles. With the help of a pictorial language reduced to as few and simple basic forms as possible, a slight distortion of geometric elements according to the rules of perspective, and a sophisticated arrangement of the forms, the artist succeeds in evoking spatiality on the flat surface of the canvas, thus creating impressive optical illusions. The results are complex structures that challenge the viewer's perception and imagination. In the work offered here, the viewer's gaze is also manipulated in such a way that the flat, two-dimensional image area is transformed into a complicated, geometric architecture of stacked and juxtaposed cubes and thus into a three-dimensional composition. After a largely monochrome creative period in the 1950s and early 1960s, Vasarely found completely new, extraordinary and complex color variations of great luminosity and intensity in the following period, which we also find in the present work. With this very characteristic, colorful cold-warm contrast, but also the use of the simplest basic geometric forms - circle, square and triangle -, the blurring of surface and plasticity, as well as the resulting bewilderment of the viewer's senses, the work is a prime example from the extremely successful period around 1960. [CH]