Ohne Titel. 2006.
Acrylic on paper.
Verso signed, dated and inscribd with the work numbe "2006/3068 M", a direction arrow and the number "6". On firm wove paper. 179 x 120 cm (70.4 x 47.2 in), the full sheet.
On occasion of the 59th Venice Biennial, the Espace Louis Vuitton Venezia shows a monumental space installation by the artist in the exhibition "Katharina Grosse. Apollo, Apollo" until November 27, 2022. [CH].
• In Grosse's signature spray technique.
• Of a painting-like character.
• Katharina Grosse is one of the mostt successful contemporary artists world-wide.
• Over the past three years alone, her works were shown in grand solo shows at the HAM Helsinki Art Museum, the Hamburger Bahnhof, Museum für Gegenwart in Berlin, the Baltimore Museum of Art, the MKM Museum Küppersmühle für Moderne Kunst in Duisburg and the Museum of Fine Arts in Boston (MA).

PROVENANCE: Helga de Alvear, Madrid (2007).
Galerie Conrads, Berlin.
Galerie Pact, Paris.
Private collection France (acquired from the above).

LITERATURE: Annika Reich (ed.), ex. cat. Sieben Stunden, Acht Stimmen, Drei Bäume / Seven Hours, Eight Voices, Three Trees, Museum Wiesbaden, Cologne 2015, p. 205 (illu.).


"For a good 25 years, Katharina Grosse's work has been perceived as a challenging contribution to contemporary painting, but especially since her interferences with the spray gun [..]. A challenge not with the intention of destroying the medium but, on the contrary, to show the potential that the still young discipline of abstract painting holds."
Beat Wismer, the former general director of the Museum Kunstpalast in Düsseldorf, quoted from: exhibition cat. Katharina Grosse. Inside the Speaker, Foundation Museum Kunstpalast, Düsseldorf 2014/2015).