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33
Affe (Yoruba)
Wood with fragments of blue paint. Yoruba, Nigeria
Estimate:
€ 2,000 / $ 2,300 Sold:
€ 3,250 / $ 3,737 (incl. surcharge)
33
Affe (Yoruba)
Wood with fragments of blue paint. Yoruba, Nigeria
Estimate:
€ 2,000 / $ 2,300 Sold:
€ 3,250 / $ 3,737 (incl. surcharge)
Affe (Yoruba).
Wood with fragments of blue paint. Yoruba, Nigeria.
Height: 39.5 cm (15.5 in).
PROVENANCE: Collection Hermann Gerlinger, Würzburg (with the collector stamp).
EXHIBITION: Inspiration des Fremden. Die Brücke-Maler und die außereuropäische Kunst, Stiftung Moritzburg, Kunstmuseum des Landes Sachsen-Anhalt, Halle (Saale), November 13, 2016 - January 29, 2017, cat. no. 16 (with illu.on p. 42).
LITERATURE: Heinz Spielmann (editor), Collection Hermann Gerlinger, Stuttgart 1995, p. 439, cat. no. VI (with illu. on p. 441).
Hermann Gerlinger, Katja Schneider (editors), Die Maler der Brücke. Inventory catalog Collection Hermann Gerlinger, Halle (Saale) 2005, p. 421, SHG no. 912 (with illu.).
Wood with fragments of blue paint. Yoruba, Nigeria.
Height: 39.5 cm (15.5 in).
PROVENANCE: Collection Hermann Gerlinger, Würzburg (with the collector stamp).
EXHIBITION: Inspiration des Fremden. Die Brücke-Maler und die außereuropäische Kunst, Stiftung Moritzburg, Kunstmuseum des Landes Sachsen-Anhalt, Halle (Saale), November 13, 2016 - January 29, 2017, cat. no. 16 (with illu.on p. 42).
LITERATURE: Heinz Spielmann (editor), Collection Hermann Gerlinger, Stuttgart 1995, p. 439, cat. no. VI (with illu. on p. 441).
Hermann Gerlinger, Katja Schneider (editors), Die Maler der Brücke. Inventory catalog Collection Hermann Gerlinger, Halle (Saale) 2005, p. 421, SHG no. 912 (with illu.).
Objects from Africa in the Hermann Gerlinger Collection
"The collection compiled by Hermann Gerlinger is impressive not only for the quality of individual pieces, but also for the breadth of what the collector has recognized as art. Just like the artists of the "Brücke" expanded the hitherto existing canon, taking the aesthetics of more exotic sculptures seriously for the first time, Hermann Gerlinger included objects in his collection of African art that one could have only found in an ethnological museum 30 years ago."
Adam Jones
quoted from Hermann Gerlinger, Christian Philipsen, Thomas Bauer-Friedrich (eds.), Inspiration des Fremden. Die Brücke-Maler und die außereuropäische Kunst, 2016, p. 15
"The collection compiled by Hermann Gerlinger is impressive not only for the quality of individual pieces, but also for the breadth of what the collector has recognized as art. Just like the artists of the "Brücke" expanded the hitherto existing canon, taking the aesthetics of more exotic sculptures seriously for the first time, Hermann Gerlinger included objects in his collection of African art that one could have only found in an ethnological museum 30 years ago."
Adam Jones
quoted from Hermann Gerlinger, Christian Philipsen, Thomas Bauer-Friedrich (eds.), Inspiration des Fremden. Die Brücke-Maler und die außereuropäische Kunst, 2016, p. 15
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