Raumbeispiel
495
Rolf Nesch
Liegende Frau, 1930.
Drypoint etching with embossing print
Estimate:
€ 2,000 / $ 2,300 Sold:
€ 2,250 / $ 2,587 (incl. surcharge)
495
Rolf Nesch
Liegende Frau, 1930.
Drypoint etching with embossing print
Estimate:
€ 2,000 / $ 2,300 Sold:
€ 2,250 / $ 2,587 (incl. surcharge)
Liegende Frau. 1930.
Drypoint etching with embossing print.
Cf. Helliesen/Sørensen 383. Barely legibly inscribed in the plate. One of presumably 9 posthumous proofs aside from the three lifetime prints mentioned in the catalog raisonné. On firm wove paper. 33.2 x 44.8 cm (13 x 17.6 in). Sheet: 39,5 x 53,7 cm (15,6 x 21,1 in).
Other titles such as "Kvinneakt", "Frau Mayer"; "Liegendes Mädchen" and "Sleeping nude" were used in publications and exhibitions. This posthumous copy was printed by Hartmut Frielinghaus. [CH].
• Two other prints are in possession of the Kunstmuseum Stuttgart and the Kunstmuseum Heidenheim.
PROVENANCE: Collection of District Court President Dr. R. Johannes Meyer (1882-1967), Hamburg.
Ever since family-owned.
LITERATURE: Different copy:
Robert H. Simmons, With Eye and Heart. The Art of Rolf Nesch, in: Artist's Proof (A Magazine of Printmaking), no. I, New York 1961, pp. 2 and 5.
Drypoint etching with embossing print.
Cf. Helliesen/Sørensen 383. Barely legibly inscribed in the plate. One of presumably 9 posthumous proofs aside from the three lifetime prints mentioned in the catalog raisonné. On firm wove paper. 33.2 x 44.8 cm (13 x 17.6 in). Sheet: 39,5 x 53,7 cm (15,6 x 21,1 in).
Other titles such as "Kvinneakt", "Frau Mayer"; "Liegendes Mädchen" and "Sleeping nude" were used in publications and exhibitions. This posthumous copy was printed by Hartmut Frielinghaus. [CH].
• Two other prints are in possession of the Kunstmuseum Stuttgart and the Kunstmuseum Heidenheim.
PROVENANCE: Collection of District Court President Dr. R. Johannes Meyer (1882-1967), Hamburg.
Ever since family-owned.
LITERATURE: Different copy:
Robert H. Simmons, With Eye and Heart. The Art of Rolf Nesch, in: Artist's Proof (A Magazine of Printmaking), no. I, New York 1961, pp. 2 and 5.
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