Sale: 22 / Online Sale, Sept. 15. 2023 → Lot 123000718
Back side
123000718
Renée Sintenis
Ausschlagendes Fohlen, 1919.
Bronze
Estimate:
€ 4,000 / $ 4,600 Sold:
€ 8,890 / $ 10,223 (incl. surcharge)
123000718
Renée Sintenis
Ausschlagendes Fohlen, 1919.
Bronze
Estimate:
€ 4,000 / $ 4,600 Sold:
€ 8,890 / $ 10,223 (incl. surcharge)
Ausschlagendes Fohlen. 1919.
Bronze with black-brown patina.
Berger/Ladwig 42. Buhlmann 128. Ca. 11.2 x 8.5 x 2.5 cm (4.4 x 3.3 x 0.9 in). [JS].
• Renée Sintenis is one of the most important German modern sculptors.
• In the 1920s, the artist, who embodied the image of the modern woman in a special way, was among the most formative figures of the Berlin art scene and was represented by the renowned Alfred Flechtheim Gallery.
• Animal sculptures are Sinteni's artistic trademark.
• Sintenis conceived the Berlin Bear (1956).
PROVENANCE: Private collection Southern Germany.
LITERATURE: (presumably different copy)
Marie Laurencin - Renée Sintenis, Galerie Alfred Flechtheim, Berlin, May 22 - June 19, 1925, cat. no. 19.
In good condition. Right ear, right hindleg and one of the forehoofs slightly scuffed and rubbed. Supporting hind leg presumably minimally bent, which is explains why the bronze's stand is a bit instable.
Bronze with black-brown patina.
Berger/Ladwig 42. Buhlmann 128. Ca. 11.2 x 8.5 x 2.5 cm (4.4 x 3.3 x 0.9 in). [JS].
• Renée Sintenis is one of the most important German modern sculptors.
• In the 1920s, the artist, who embodied the image of the modern woman in a special way, was among the most formative figures of the Berlin art scene and was represented by the renowned Alfred Flechtheim Gallery.
• Animal sculptures are Sinteni's artistic trademark.
• Sintenis conceived the Berlin Bear (1956).
PROVENANCE: Private collection Southern Germany.
LITERATURE: (presumably different copy)
Marie Laurencin - Renée Sintenis, Galerie Alfred Flechtheim, Berlin, May 22 - June 19, 1925, cat. no. 19.
In good condition. Right ear, right hindleg and one of the forehoofs slightly scuffed and rubbed. Supporting hind leg presumably minimally bent, which is explains why the bronze's stand is a bit instable.
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