Sale: 22 / Online Sale, April 15. 2024 → Lot 123000595
Frame image
Raumbeispiel
123000595
Maria Caspar-Filser
Sonnenblumen, 1922.
Oil on canvas
Estimate:
€ 3,000 / $ 3,450 Sold:
€ 5,207 / $ 5,988 (incl. surcharge)
123000595
Maria Caspar-Filser
Sonnenblumen, 1922.
Oil on canvas
Estimate:
€ 3,000 / $ 3,450 Sold:
€ 5,207 / $ 5,988 (incl. surcharge)
Sonnenblumen. 1922.
Oil on canvas.
Lower left monogrammed and dated. Signed and titled on the reverse. 67.5 x 48.5 cm (26.5 x 19 in).
• Maria Caspar-Filser was the first German female painter to teach at the Munich Art Academy in 1925.
• In 1948 he participated in the Venice Biennale.
The work is recorded in the Maria Caspar-Filser and Karl Caspar Archive, Brannenburg am Inn.
PROVENANCE: Private collection Hanover (since 2014, through Kastern).
LITERATURE: Kastern, Hanover, auction 150, September 13, 2014, lot 150.
In good condition. Craquelure in places of the impasto parts. Slightly rubbed in the upper left corner. A small, horizontal break in the layer of paint, canvas rebacked on the reverse. A further small backing on the reverse is barely recognizable on recto.
A few retouched spots across the surface are recognizable under ultraviolet light. Overall, the still life impresses with its vibrant colors and the lively application of paint.
Oil on canvas.
Lower left monogrammed and dated. Signed and titled on the reverse. 67.5 x 48.5 cm (26.5 x 19 in).
• Maria Caspar-Filser was the first German female painter to teach at the Munich Art Academy in 1925.
• In 1948 he participated in the Venice Biennale.
The work is recorded in the Maria Caspar-Filser and Karl Caspar Archive, Brannenburg am Inn.
PROVENANCE: Private collection Hanover (since 2014, through Kastern).
LITERATURE: Kastern, Hanover, auction 150, September 13, 2014, lot 150.
In good condition. Craquelure in places of the impasto parts. Slightly rubbed in the upper left corner. A small, horizontal break in the layer of paint, canvas rebacked on the reverse. A further small backing on the reverse is barely recognizable on recto.
A few retouched spots across the surface are recognizable under ultraviolet light. Overall, the still life impresses with its vibrant colors and the lively application of paint.
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