Sale: 554 / Modern Art Day Sale, June 08. 2024 in Munich Lot 403


403
Erich Heckel
Gelbe Wand, 1909.
Watercolor
Estimate:
€ 20,000 - 30,000

 
$ 21,400 - 32,100

+
Gelbe Wand. 1909.
Watercolor.
Lower right signed, dated and titled. On firm laid paper. 34.5 x 43 cm (13.5 x 16.9 in), the full sheet.


• Intense depiction of a Roman landscape in radiant colors.
• Inspired by a multitude of impressions gained on his Italian journey in 1909.
• Landscape watercolors made on this journey are rarely offered on the international auction market (source: artprice.com).
• The Brücke Museum in Berlin is home of the largest body of works from this creative period
.

The work is documented in the Erich Heckel Estate, Hemmenhofen on Lake Constance. There with title "Fabrik". We are grateful to Ms Renate Ebner and Mr Hans Geissler for the kind support in cataloging this lot.

PROVENANCE: Galerie Roman Norbert Ketterer, Campione d'Italia.
Galerie Thomas, Munich.
Collection Hermann Gerlinger, Würzburg (acquired from the above in 1985, with the collector's stamp Lugt 6032).

EXHIBITION: Erich Heckel. Gemälde, Aquarelle, Zeichnungen, Galerie Wolfgang Ketterer, Munich, February 26 - April 17, 1966, cat. no. 24 (with illu. on p. 43).
Erich Heckel, Gemälde, Aquarelle, Zeichnungen, Graphik, Roman Norbert Ketterer, Campione d'Italia, 1970, p. 40, cat. no. 12 (with color illu.).
Erich Heckel zum 90. Geburtstag. Gemälde, Aquarelle, Zeichnungen, Graphik, Roman Norbert Ketterer, Campione d'Italia, 1973, p. 46, cat. no. 24 (with color illu.).
Schleswig-Holsteinisches Landesmuseum, Schloss Gottorf, Schleswig (permanent loan from the Collection Hermann Gerlinger, 1995-2001).
Kunstmuseum Moritzburg, Halle an der Saale (permanent loan from the Collection Hermann Gerlinger, 2001-2017).
Erich Heckel, Einfühlung und Ausdruck, Buchheim Museum, Bernried, October 31, 2020 - March 7, 2021, extended until June 20, 2021 (with color illu. on p. 110).
Buchheim Museum, Bernried (permanent loan from the Collection Hermann Gerlinger, 2017-2022).

LITERATURE: Roman Norbert Ketterer (ed.), Moderne Kunst, Campione d'Italia 1963 (with illu.), 1965 (cat. no. 51, with illu. on p. 74), 1971 (cat. no. 40, with color illu. on p. 81).
Heinz Spielmann (ed.), Die Maler der Brücke. Collection Hermann Gerlinger, Stuttgart 1995, pp. 172f., SHG no. 194 (with color illu.).
Hermann Gerlinger, Katja Schneider (eds.), Die Maler der Brücke. Inventory catalog Collection Hermann Gerlinger, Halle (Saale) 2005, p. 163, SHG no. 367 (with color illu.).

Called up: June 8, 2024 - ca. 17.04 h +/- 20 min.

In February 1909 Erich Heckel embarked on a trip to Italy that lasted several months. In Rome, where he stayed for a long time, he created numerous drawings and watercolors. However, the ancient monuments and historical sites were only of little interest to him. Instead it was the landscapes, the light of the south and the everyday life of the people that caught his attention and found their way into his works. In a letter to Rosa Schapire from April 16, 1909, he reports on the surroundings near his house in Rome, describing "beautiful gardens and fields on soft slopes", where the vineyards are still red, and the crops in an intense green (Erich Heckel, April 16, 1909, quoted from: Karlheinz Gabler, Erich Heckel und sein Kreis. Dokumente, Fotos, Briefe, Schriften, Stuttgart 1983, p. 61). The works made during this period are characterized by these impressions, they show the intense colors of the south and the warm light. He often captured what he saw on site in drawings, as is the case with the ink drawing "Campagna-Landschaft" (SHG 366, "Campagna-Landschaft" will be offered in Online Sale on June 9, 2024, visiti our Online Sale: www.onlineonly.kettererkunst.com). Some details of the drawing are altered in the watercolor and the brushwork also differs from the lines. The motif, however, is unmistakable and it can be assumed that Erich Heckel transferred the pictorial idea onto paper in watercolor in the studio at a later point. In his letter to Rosa Schapire he also wrote: "It is quite far to other places - Campagna, Alban Hills, etc, so that I only drew here." It seemed to have been a special gift of Erich Heckel to keep the impressions of what he saw in his mind for a longer time. Heinz Köhn, former director of the Folkwang Museum in Essen and confidant of the artist, found the folllowing wonderful words:"Heckel's eye for the finest gradations in the colorful world and his memory, which retains sensory impressions without letting them fade, are astonishing. German art has to be grateful for numerous works of an inexhaustible magic." (Heinz Köhn, Erich Heckel, Aquarelle und Zeichnungen, Munich 1959, p. 29) [AR].




Buyer's premium, taxation and resale right compensation for Erich Heckel "Gelbe Wand"
This lot can be purchased subject to differential or regular taxation, artist‘s resale right compensation is due.

Differential taxation:
Hammer price up to 800,000 €: herefrom 32 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 27 % and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 22 % and is added to the premium of the share of the hammer price up to 4,000,000 €.
The buyer's premium contains VAT, however, it is not shown.

Regular taxation:
Hammer price up to 800,000 €: herefrom 27 % premium.
The share of the hammer price exceeding 800,000 € is subject to a premium of 21% and is added to the premium of the share of the hammer price up to 800,000 €.
The share of the hammer price exceeding 4,000,000 € is subject to a premium of 15% and is added to the premium of the share of the hammer price up to 4,000,000 €.
The statutory VAT of currently 19 % is levied to the sum of hammer price and premium. As an exception, the reduced VAT of 7 % is added for printed books.

We kindly ask you to notify us before invoicing if you wish to be subject to regular taxation.

Calculation of artist‘s resale right compensation:
For works by living artists, or by artists who died less than 70 years ago, a artist‘s resale right compensation is levied in accordance with Section 26 UrhG:
4 % of hammer price from 400.00 euros up to 50,000 euros,
another 3 % of the hammer price from 50,000.01 to 200,000 euros,
another 1 % for the part of the sales proceeds from 200,000.01 to 350,000 euros,
another 0.5 % for the part of the sale proceeds from 350,000.01 to 500,000 euros and
another 0.25 % of the hammer price over 500,000 euros.
The maximum total of the resale right fee is EUR 12,500.

The artist‘s resale right compensation is VAT-exempt.