On occasion of the second journey to the Lofoten in 1938 Nay mad four color woodcuts that were of crucial importance for the artist's graphic oeuvre. Still under the influence of woodcut art of German Expressionism, particularly that of Erich Heckel, they were entirely in line with an expressive form that accentuates the color fields within the graphic frame. Nay rendered the cliffy landscape of the Lofoten in interlocked dynamic forms. The rough forms and colors of the few proofs made hint at the mastery with which the hand-colored graphic creations, which count among his most sought-after works today, were made.