Der Sturm. 1932.
Bronze with brown green patina.
Braun 159. With monogram on left sole as well as foundry mark "H.Noack Berlin". 76 x 34 x 42 cm (29,9 x 13,3 x 16,5 in).
Cast after 1945.

LITERATURE: Prussian Academy of Art in Berlin. Autumn exhibition, October/November 1932, no. 250, p. 21 (different copy).
Uli Klimsch. Fritz Klimsch. Die Welt des Bildhauers, p. 69, with illu. p. 75 (different copy).
Hermann Braun, Fritz Klimsch. Werke, Hanover 1980, pp. 64f., with illu. (different copy).

Fritz Klimsch trained at the Königliche Akademische Hochschule für die bildenden Künste [Royal Fine Art Academy] in Berlin in the drawing class taught by the painter Ernst Hancke and in the modeling class under Albert Wolff. From 1887-1890 he was a pupil of Fritz Schaper's. While still a student, the young sculptor produced his first important work, winning awards and his first taste of recognition. On his wedding trip to Paris, Klimsch became acquainted with Rodin's work, which greatly impressed him with its liveliness of form and expression and left a lasting influence on him. Klimsch regarded Adolf von Hildebrand as second only to Rodin as the inspiration behind his art. Hildebrandt supplemented Rodin's liveliness with tectonics and static, thus creating the balance Klimsch felt was so important to his own sculpture. In 1898 Klimsch founded the Berlin Secession jointly with Max Liebermann and Walter Leistikow and was represented on a regular basis at the exhibitions the group mounted. Travels to Italy and Greece shaped his style. Klimsch was subsequently extraordinarily successful with portraits, monuments and funerary sculpture as well as female nudes. He did a great many portraits of distinguished representatives of cultural and political life, including Ludwig Thoma, Lovis Corinth, Max Liebermann, Max Slevogt and Paul von Hindenburg. In 1912 he became a member of the Prussian Academy of the Arts and in 1916 a senator of the Academy.

"Der 'Sturm' as well as 'Frühling', 'Sommertag' and 'In Wind und Sonne' – belong among those works that show a vast range of emotion expression and gesture. What they have in common is the depiction of the relation between man and nature in its infinite variety, almost with a symbolic character." (Hermann Braun, Fritz Klimsch. Eine Dokumentation, Cologne 1991, p. 375).

Appointed to the Akademische Hochschule für bildende Künste in 1921, he retired in 1935 after heading the master class studio there. After the war the artist settled in the Black Forest to live in seclusion, producing from then on only a few works in small formats. In 1960 Fritz Klimsch was awarded the Große Bundesverdienstkreuz and died that same year. [RT/CB].